Hors de Prix (Priceless) Funny, romantic, hectic. While the beginning involves many plot turns that don’t seem to make sense and the many of the main character’s decisions seem irrational, the story picks up as the main characters learn the real tolls of the rich life, and the light-hearted nature of this film makes it very enjoyable. Recommended? Mostly for those looking to wind down with a good laugh (and also don’t mind reading subtitles if necessary).
X-Men: Fascinating, humorous, entertaining. The plot is very well developed and all aspects of the special effects were executed with class, all showcasing interesting characters never afraid to exhibit a witty one-liner. Recommended? A movie that can be both this much fun and serious at the same time has a little something for everyone.
Shutter Island (2010): Freaky, suspenseful, clever. While certain events towards the beginning of the film seem unintelligible, the plot takes many interesting plot turns and the mysterious and the quirky characters make this film even more entertaining. Recommended? Every minute of this film should be viewed with the utmost attention to details.
Inherit the Wind (1960): Profound, humorous, insightful. The performances of both Spencer Tracy and Fredric March are superb in this film adaptation of the real life Monkey Trial of 1925, a story that brilliantly displays the early stages of the evolutionism vs. creationism debate and the importance of higher thinking. Recommended? This film is an inquisitive journey for atheists, agnostics and believers alike.
Dances with Wolves (1990, Special Edition): Historic, heartfelt, captivating. While the first hour could be greatly condensed as to quicken the pace, the respectable acting and storyline are complimented by stunning visuals and effects. Recommended? While the extended version is quite captivating in itself, the added content may prove unnecessary for some, but this film is definitely worth seeing.
The Green Mile (1999): Dramatic, emotional, tragic. A truly great screenplay complete with memorable characters that will be loved and hated, on their journeys to truth and justice. Recommended? This is one film that definitely should not be overlooked.
Iron Man 3 (2013): Intense, funny, entertaining. As with the previous Iron Man films, the actors fit their roles perfectly and add some spice to boot; but unlike the previous one, the story is full of action, exciting plot turns and a genuinely interesting plot. Recommended? A big improvement over number 2, possibly the best one in the trilogy.
Citizen Kane (1941): Artistic, mysterious, boring. The filmmaking is clearly exemplary for many films to come, but the majority of the film consists of 2 hours chronicling the details of the life of Charles Kane which are indifferent to the purpose and outcome of the film. Recommended? This film would probably only be of interest to fans of classic cinema, as there is not much here for everyone else.
French Immersion (2011): Hilarious, light, disjointed. While the storyline is quite sparse, it produces enough laughs to make up for it, like any good comedy should. Recommended? For anyone with, at the very least, a basic knowledge of Canada, Quebec and the French language.
Saving Private Ryan (1998): Intense, gory, impressive. The effects and visuals that make up this film are of the class that has given Spielberg the positive reputation that he has today, and while a serious and respectful tone is maintained throughout the film, writer Robert Rodat cleverly adds some humour and quirky moments as well. Recommended? This wartime epic is an adventure well-worth the experience.
No Country for Old Men (2007): Violent, slow, unclear. The direction and acting in this film are both well done, but the simple storyline is far too drawn out and, for the most part, lacks cohesion. Recommended? Not the most exciting film out there, but worth a try nonetheless.
American Beauty (1999): Tragic, emotional, dramatic. Some of the subject matter is a bit unsettling, but the emotions and thematic depth coupled with Kevin Spacey’s amazing performance make for a thoroughly engaging movie experience. Recommended? A must-see film, especially for anyone who believes that their life is empty.
Philadelphia (1993): Engaging, informative, emotional. This movie tackles major issues and prejudices in a unique way, setting it apart from similar attempts, and the main characters are both strong, respectable and well-portrayed. Recommended? This is definitely worth watching.
The Wrestler (2008): Brutal, emotional, mediocre. The story and growth of the main character and Mickey Rourke’s performance are the driving forces behind this film, for despite some depth, the overall story is dry and excessively explicit. Recommended? Not bad, but not great either.
Babel (2006): Mysterious, emotional, profound. While a bit confusing and disjointed at times, the theme of universal connectivity adds to the depth and experiences of the characters in all of the stories. Recommended? Babel has a good moral that can only be truly understood by actually seeing the film.
City of God (2002): Disturbing, intense, insightful. A horrific and gripping look into the ugly side of Brazil, graphically detailing the dangerous lives of young people involved with drugs, war and violence. Recommended? Anyone who enjoys American films exploiting extreme gang violence and drugs should try their hand at this, bearing in mind that the scariest thing about this movie is that it’s based on a true story.
Catch Me If You Can (2002): Clever, fascinating, long. The reputable cast and director make watching this true story that much more enjoyable, though the opening scene should have either been cut or played on more. Recommended? A little dry in spots, but entertaining nonetheless.
Babe (1995): Adorable, heartwarming, entertaining. The touching premise and subtle, but effective visuals bring the film to life, but the ending is a bit of a copout. Recommended? Must be seen by all animal lovers.
The Imaginarium of Doctor Parnassus (2009): Strange, incoherent, colourful. Somewhere deep down in this film lies a lesson about greed, but it is only reached after peeling through layers of poor storylines, unclear mumbling and the good visuals that hold this film together. Recommended? Beyond the merit of being Heath Ledger’s last film, it is more confusing and questionable than anything else.
Invictus (2009): Interesting, accessible, engaging. An appropriate and insightful look at one aspect of Mandela’s efforts to move his country away from the apartheid, and Morgan Freeman is perfect as Nelson Mandela. Recommended? Definitely worth seeing.